Showing posts with label Action. Show all posts
Showing posts with label Action. Show all posts

Tuesday, October 29, 2013

My Heroes: Ellen "Get-away-from-her-you-bitch" Ripley


A Bechdel test rating for movies has just been approved by the Swedish government, I finally have the chance the catch a screening of the hyped sci-fi epos Gravity tonight and Halloween is just around the corner - what better to write about these days than one of the coolest female characters that has ever kicked cinematic asses, first appearing in 1979s groundbreaking sci-fi/ horror flick Alien?

Friday, October 18, 2013

How I Learned to Stop Worrying

a HOW I LIVE NOW review


Growing up 21st century's Europe has its perks - technology redefines the limits of communication, consumerism and culture, we can travel without having to do little more than showing our passports and politicians seem busy sustaining peace in our own little world as well as the Middle East. It becomes difficult to differentiate between documentations of the World Wars and movies like Independence Day, both depicting horrible, life-threatening situations and ending on a happy note (more or less). I for one find it incredibly hard to believe that my own grandmother fled (mainly by horse waggon) from what was once Pommern (the eastern part of Germany) to the north, and had to work under more or less slavery-like conditions for the Russians. Hell, I can't even fathom there was once a great wall separating Eastern and Western Germany - that fell only 6 years before I was born! However, once in a while, I am reminded of the actual danger that still surrounds every living creature in this world; the animal-esque war of survival that is hidden beneath health care, unemployment benefits and supermarkets. Watching How I Live Now was one of those experiences that made me realize there is a threat of war in my life and the lives of the people surrounding me, and that our little bubble of peace, equality and freedom of the mind could burst any day. 

Tuesday, July 30, 2013

OBSTRUCTION 2/5: A Revienterview

The 5 Obstructions Blogathon continues and I'm as late as one can possibly be, but I am here with an ultra-last-minute review of a movie I recently re-watched with my sister. She's also the one I interviewed and if you like what came out of that, tell me. (I have plans).


Obstruction #2: Write a review of a movie but also include an interview about it.

Back in the early days of my obsession with cinema and all things related, one of the rare occasions of me watching something valuable in theaters came up. What made it even better was the fact that my whole family - mum, sis' and myself - went to watch it. A female power night!
Joe Wright's movie is entitled after its main character Hanna (Saoirse Ronan), who lives in the forest of Alaska with her father who teaches her everything you need to survive in the world. From hunting to languages to cooking, Hanna is prepared to be let out into civilisation as a teenager. When the time comes, she has to let herself be found by CIA agent Marissa in order to kill her and then reunite with her father in Berlin. But something goes wrong and Hanna has to go on a long journey that includes many unexpected conflicts.

My love for this movie was strong enough to keep it in my 100 Favourite Movies list for two years without having re-watched it in all that time, and mentioning it whenever I can, be it in one of my own lists, a comment on someone's post or even in real life. And it has only become better with age. Soundtrack, cinematography and direction are all top-notch and the movie is one hell of a stylish ride with the (teenage!) female action hero being only the tip of the iceberg. Despite her sometimes unfortunate choice of roles (cough The Host cough), I still have high hopes for Saoirse Ronan who still appears besides names such as Jennifer Lawrence in lists of the most promising up-and-coming actresses. The girl can portray anything from pitiable loner (Atonement) to brave revolutionary (City of Ember) to the ass-kicking killing machine that is Hanna. Cate Blanchett is a tough opponent and both underline the talent of the other. The action itself is gritty and stylish at the same time and filmed in a way that makes you feel you were actually in there yourself. And then there are also some tender and humourous moments that build a nice contrast to the rest of the movie, especially in the middle part of the movie. I always like when an action movie does that, so it doesn't become too heavy. 
Bottom line: Hanna has still got it.

And as the obstruction demands, I present to you my first interview on this blog. I went down the easy path and had a cosy chit-chat with my sister - if I had been smart enough to check out obstruction #2 at the beginning of the month, I might have had the opportunity to interview someone film-related. But then again, I really liked this interview, we had a lot of fun watching the movie so... enjoy!



The first time we watched Hanna was back when it was released - do you remember your first reaction towards it?
My first reaction was that I was really impressed by the idea of Hanna being so strong and independent. I nearly don't remember though... but what I remember is that I really liked it and that I liked the soundtrack.

Why did you decide to buy the DVD and re-watch it?
I decided to buy it because I was at the store with you and I walked past it and then I just thought like, hey, I haven't watched that for a long time and how I was really impressed by it the first time we watched it. And I couldn't really remember much from it except that I liked it, so I just... well, decided to buy it.

So how do you feel about the movie now?
I still like it, I'm still impressed by the skills Hanna has... and what I noticed was the cinematography. It was different but it was really, really good. I also like the ending, that it's a bit open... but yeah, you can imagine what Hanna's going to do now. A little. 

What is she going to do?
Well, I think... she said that she didn't want to kill people anymore. So I think she's just going to see the world now. Because she was kept in that little house in, what was it, North Pole? And I think she really wants to see things now.

Can you identify with Hanna?
Yeah, a little bit, because she's really strong-minded... and well, she likes her father and wants to do things that he wants her to do. But she's also... she'd rather make her own decision. I don't know, like, the fighting stuff is something she learned so it's nothing I could identify myself with.

What do you think of the acting in general?
The acting was really good, I think. Especially from Cate Blanchett as Marissa, because she's this psycho CIA hunter, and she's really strict. She really did a good job with that. Hanna's father was also very good. Well, you didn't see much of him, but I liked it. Especially his fighting scenes were impressive. I think Saoirse Ronan did a really good job too. She was quite young when she did the movie, but she could mimic the accent pretty good...  and she had to learn all these sentences in Arabic, Spanish etc. so that was really good.

What do you think of the way Germany and being German is presented in the movie?
I think that there's a little bit prejudice in it still. The one guy Marissa knows always has two Nazis with him. Otherwise it's presented pretty well. Well, they shot the movie in Germany, so you see that city as it is. Otherwise the movie's not very German.

Would you classify the movie as an action flick or a thriller?
I'd say it's more of an action movie. But it has also has, like, strings of a thriller. So it's kind of hard to tell.

You haven't seen Kick-Ass yet, but do you think that there needs to be more female action heroes and do you think they work for the mainstream audience?
I think it works, but not like... if they're too typical. If they're always dressed in sexy costumes, I think they wouldn't really be respected as... not role models, but well, as action heroes. Then they'd just be like many other female characters in movies. But generally I think it would work really good, and there should be more female action heroes.

What's your favorite scene?
My favorite scene is when Hanna escapes from the CIA... and the other is when she tells that girls she meets that she can't tell her everything, and that they're friends and stuff, the one in the tent.

And what do you like most about this movie?
I like that Hanna's mother, not her biological mother, but the one that steals her, I like that she says "She'll never be yours", and then that's really true. That's cool.

So do you think the DVD was a good investment and you'll re-watch it again?
Yeah, definitely. And I already have a couple of friends that have to see it.

Thank you for the interview!

As for you guys, I hope I pass obstruction #2 despite my very late post, so you can read the next post in August.

Saturday, June 22, 2013

My Heroes: Scott Pilgrim (or whatever)


I met Scott about a year ago, when I was on my summer holidays in Denmark. It was a hot summer night and stuff, at least for me - he was chilling up in Toronto. Chilling as in "it was cold". My initial plan of the night certainly didn't include Scott, but then again I didn't know him before that night - how could I have known that he would win me over in a second? My telly-companion that night wasn't as enchanted by Scott, however. Every other minute a sigh or differently disapproving sound escaped from her lips until she finally left me alone. Alone with Scott.


Monday, February 25, 2013

[6] The Upcoming Adult Presents: 18 Alarmingly Violent Favourite Movies


Ah, the Oscars. A great excuse to skip school... to sleep after that long, long night. But here I am back, all fresh and excited about the diversity of the 85th Academy Awards - no movie really stood out and that's just great. Nevertheless, let's get back to the celebration of my shortly ending youth, shall we?

In the sixth list of this blogathon, I'll share one of my worst kept secrets - my fascination with violent movies. It's not that I'm a fan of splatter movies, not at all, but well-choreographed, elegant action scenes never fail to take my breath away. That being said, I'm not a violent person, perhaps because I have no talent whatsoever when it comes to stuff like that... I guess. Well, I actually once punched my then best male friend really hard in the face because he wanted me to, so he could laugh at me... he laughed at his own stupidity in the end. Who knows, perhaps I might be the next Hanna some day?
 - But why would I? There's really nothing cool about being good at fighting, nothing at all kids (if any kids are reading this). 
Just read this list, enjoy and do not try any of the stunts at home.

Monday, January 14, 2013

1001 Movies: Finishing Kubrick

185 - 187

Slowly, my Kubrick-film-feast is going to an end... Having watched all sixteen feature and short films of the late director, I feel full of knowledge and enlightenment. That doesn't mean I loved or even liked all of his films - but we'll dive further into that matter when I write my big, grand Kubrick Post with a capital P. All you're going to get for now is three short reviews of my last three Kubrick-adventures, one that disappointed me and two that are officially on the list of my favourite Kubrick-opuses.


Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb (1964)

„THE COMPUTERS THAT TAKE THE SITUATION BEYOND HUMAN INTERVENTION HAVE ONLY BECOME MORE CAPABLE. BE AFRAID. BE VERY AFRAID.“

Sunday, January 6, 2013

1001 Movies: Heart-shaped sunglasses, greasy hair and suntanned gladiator's legs

#183, a re-watch and #184


Choosing Kubrick's version of Lolita to celebrate the new year cinematically proved to be a perfectly wonderful choice. Provoking as well, to watch the story of an adult falling in love with a 14-year old in the year I'm going to turn into an adult (expectedly). My journey in 1001+ movies continued with a reunion and revision of my thoughts on one of the most-loved musicals ever (Grease), and yesterday's historic trip to slave revolts in ancient Rome (Spartacus) had me forced to finally write about these three movies (as one of my new year's resolutions was to write about each of the book's movies I'd watch).



Lolita (1962)

„[KUBRICK] MANAGES TO DELIVER A PICTURE EXACTLY AS EROTIC, ABSURD, OBSESSIVE, ERUDITE, AND LOW-COMIC AS THE BOOK.“            

Sunday, December 16, 2012

Praise The Hobbit

The Hobbit: An Unexpected Journey


Directed by Peter Jackson
Written by Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro
★ Too many great people to choose three of them


                


What has not been said about The Hobbit yet, I wonder? 
With all the praise (along with a tiny dash of criticism) wandering around the media and blogosphere, is there at all any way to defend your action of writing a review on this movie? Shouldn't we highlight lesser known arthaus gems that could change the world?

Tuesday, September 18, 2012

Hype: Deserved

Pulp Fiction


Directed by Quentin Tarantino
Written by Quentin Tarantino and Roger Avary
★ John Travolta, Uma Thurman, Samuel L. Jackson

            


 Pulp Fiction is an english description for "dirty" literature - this I just found out, and it makes me appreciate the movie even more.

What else is Pulp Fiction?
It was, to me, one of the biggest cult films, one of the 1001+ movies, one of the highest rated movies on IMDB - to put it shortly; one of the greatest blemishes on my List of Shame (which exists in my head only). Things like that kind of raise the expectations.
Many movies, ones I loved and ones I hated, have made me lower my expectations for movies to see - especially highly acclaimed ones. But whenever one of those cultural-heritage-movies crosses my path, all these precautions are wiped out of my head. And then there's only one thought left: "I've gotta love this movie, I simply must".

All this introductory rambling is supposed to build up to this important statement:
"I actually do love Pulp Fiction - STRIKE!"

Now I could say something like "Well, how can one not love Pulp Fiction?", but I won't because I actually know someone (ahem, not personally, it's a blogger) who didn't love this movie. And I'm sure there are many more. Why? Because Pulp Fiction is not a movie for everyone, it's just not a second Shawshank Redemption.
Surely, most people of our generation will love this movie, if only for the soundtrack and sudden outbursts of we're-so-cool-we-don't-even-care-we-look-stupid-being-it. But many I know, especially people that are less into intellectual films or art, will probably be confused by the non-linear narrative, the awkward characters and so on.
By the way, don't let me get started on parents - I tried watching The Graduate with my mom once. Although there must be movie-interested parents somewhere out there.

There is, however, one reason to watch Pulp Fiction, no matter who you are, and that I have already mentioned: cultural heritage.
If you haven't seen Pulp Fiction, you won't sound convincing quoting it nor will you be able to dance convincingly to the magnificent soundtrack. You won't understand many references in newer films, perhaps not even recognize them (I'm sure I've already unawarely passed hundreds)... you will have what we call a "Bildungslücke" in German - a gap in education. And not only if you're a movie buff, if only you just "like" movies, you will have this Bildungslücke.

Hopefully,  I have convinced you to want to watch or re-watch Pulp Fiction as soon as possible. For those who have already seen the movie, I guess I didn't make you wallow in sweet memories of its amazingness - the reviewer's classics-doubt has caught me. I simply feel that I have nothing interesting to say about Pulp Fiction that hasn't been said yet.
Hopefully this video will suffice to re-aflame the feeling of the strawberry explosion.

FINAL FRAME


Monday, August 20, 2012

The Cate Blanchett Essentials, #5 / 5

Read more about The Cate Blanchett Essentials


Robin Hood (2010) Ridley Scott

IMDB: 6.7 - RT: 43% / 59%

Why I selected this film as one of the Cate Blanchett Essentials
„A friend of mine told me she found this movie fantastic, and even though our tastes differ at times, I think I'm actually going to like this one. I mean, it's Robin Hood! With Cate!“

The story
Good question. It's something about Robin Hood, who pretends to be the returned husband of Marion (Cate) so that she can stay in her father-in-laws house after his death. He also "confronts corruption" in the village and somehow "alters the balance of the world power", according to IMDB. The story was hard to get. 

The message
Surrender to anarchism!

The character
Marion is a typical Cate Blanchett character: "trapped" in a time when women didn't have many rights, she is loud and stubborn and knows what she wants. As she lost her husband to war one week after their marriage, there is also a vulnerable side to her which is longing for the love (from a man) she never got. 
Otherwise she is very self-confident and likes to do things her own way. 
Sadly, there's not much focus on her character so I can't think of much else to say about it.

The performance
This is closely connected with the character, so although Cate gives it a 100% and is convincing as always in her scenes, I had the feeling that she should have had more screen time. Russel Crowe is great too, no doubt, but I didn't find his Robin Hood a very interesting character. 
Marion on the other hand, offered much potential and had many layers. Of course this must have been easy for Cate, these kind of roles are just her thing.

The most impressive scene
When Robin goes to his friends house to tell the news of his death, and tells Marion first without knowing that it was her husband. Cate's reaction is very realistic, she is trying to seem calm and strong, but the shock is hard to hide.
It's a very short scene, but I was very impressed.

The blemish
The film was long-drawn and the story wasn't very interesting. It was either so boring that I didn't pay enough attention to understand the story, or the story was so un-understandable that the film became boring.

Does the film deserve to be called one of the Cate Blanchett Essentials?
No, I don't think so. I'm sure she has been in films that are more deserving of this honour, so I'm a little disappointed I chose this one instead of many others.

FINAL FRAME





Saturday, August 18, 2012

Blood. Music. Robert.


Cosmopolis


Directed and written by David Cronenberg
Based on a novel by Don DeLillo
 Robert Pattinson, Juliette Binoche, Sarah Gadon

                    


Obviously, Cosmopolis is a film that causes opinions to differ. It is theatric and filled with complex dialogue and ambiguities, and there was a moment where I could have chosen to think, "This is it. I'm out". But I decided not to. Mainly because the introduction sequence was so classy.

Classy is the right word. It describes this film very well. I read that some people found it stylish but in its content too self-indulgent and pretentious, but I don't agree. While watching the movie I considered this opinion, but was immediately captured by the story itself again, deciding I wouldn't jump on either side of the fence before finishing the movie. It's like certain books that you find hard to get through; the dialogue is tiring and confusing, and you just don't "get" what it's supposed to tell you. Then the revelation when you're finished and can't get this work of art out of your mind, you keep dwelling on it, certain scenes and underlying thoughts keep popping up in your head. You realize the works value.

Wednesday, May 16, 2012

Wiggling big toes. Samurai swords. Awesomeness.

Kill Bill: Vol. 1

Directed by Quentin Tarantino
Written by Quentin Tarantino, Uma Thurman
Uma Thurman, Lucy Liu, David Carradine


    


There was a time when I thought Quentin Tarantino must be a good director since he is admired by so many film-loving people. By that time I had only seen Inglorious Basterds, a film that is surely unique and entertaining - maybe close to awesome - but not completely awesome to me.
Then I watched Kill Bill, and I finally understood.

Sunday, April 29, 2012

Against the System

A Wednesday!



Directed and written by Neeraj Pandey
★ Naseeruddin Shah, Anupam Kher, Jimmy Shergill



 The first half of A Wednesday seems like a mixture of the most basic, well-known, mainstream terrorism thriller elements; a police officer receives a call from a stranger telling that he has planted bombs in various places of a big city (Mumbai). The police officer wants a proof, he gets it. The stranger wants some terrorists with muslim names to be released.
And that's where the film gets interesting. I don't want to say much about the plot from that point on, except that this is not your typical Indian terrorism film at all.

Friday, April 6, 2012

Blood. Music. Ryan.


Directed by Nicolas Winding Refn
Written by Hossein Amini
★ Ryan Gosling, Carey Mulligan, Bryan Cranston

        

Even though DRIVE has only been a moderate success at the box office, it's already considered a cult classic by its fans. Once they saw Ryan Gosling driving around in L.A. at night time to the blooming electronic beats of Kavinsky & Lovefoxxx, they were hooked. So was I.

While few films truly live out their ideas, DRIVE has its own spirit that shines through in every single scene. The extreme brutality may seem arty to some viewers, to me it was just perfect. A little shocking at times, but nevertheless perfectly right.
The complete contrast to the brutality is existent in many calm and slow scenes, and both sides are connected in the character of the Driver, who is a quiet yet two-fisted person. If you haven't been falling for Ryan Gosling yet, this movie will certainly make you. Ryan is the greatest star of the movie, taking the spotlight from every single one of the excellent supporting actors and actresses. His character is best described in the lyrics of one of the hyper-cool songs of the soundtrack: „A real human being, and a real hero“.
Though he shows traces of humanity by falling in love with Carey Mulligan's character and being wounded a few times, the Driver is an invincible hero. Maybe it's this utterly cool hero that I've been missing in many films of the recent times, at least he's one of the main reasons why I loved DRIVE. The way his silver jacket with the golden scorpion shines in the light, the dark sunglasses that hide his beautiful blue eyes, and his calm smile... absolutely everything about him is so perfect it hurts.

It is hard for me to write about a film I love, and therefore, this review isn't very long. I want to apologize for this, but the words just won't come... it's only emotions, sounds and images in my head. The pink letters, the short yet always perfectly fitting dialogue, the moment when me and my mum couldn't bear the absurd brutality anymore and were caught by a fit of laughter in the theater... which, in case you would like to know, was after one of the gangsters hit a fork into the eye of another gangster.

The haunting alternation of silence and slaughter, and the moment when everything was over and I realized how outstanding this movie is.

I always fear to be too impulsive rating movies, therefore the rating is a bit lower than I  would actually like it to be.





Saturday, February 18, 2012

Why Does Shit Always Happen To Us?

A comedy about friendship, Burqa-snogging and... shit.

Delhi Belly (2011)

Directed by Abhinay Deo | India
Written by Akshat Verma
 Imran Khan, Vir Das, Kunaal Roy Kapur


    

Aamir Khan can today be called one of the trailblazers of the Hindi comedy film landscape. After the immediate and huge success of 3 Idiots (my very first post on this blog), Aamir decided to produce an even blacker comedy, this time starring his nephew Imran, among others.