Try to imagine 'Bollywood' in one picture. What do you see? Is it, by any chance, a massive, colorful jumble of different spices and beautiful people you think must be too white to be Indian, embroidered with glistening pearls and golden sequins? If so, you are not wrong- but you're not exactly right either. 'Bollywood' is often used to describe a certain kind of film. Genre is the wrong word, but something among the lines of how indies or arthouse represent a certain kind of film. 'Bollywood' reflects a certain trend that has been predominating a big chunk of the Indian and Hindi language film industry, always. But something I like to point out whenever someone asks, and whenever someone doesn't, is that 'Bollywood' is not equal to Indian cinema and that yes,
- there are good Indian dramas
- there are good Indian dramas that feature song-and-dance and most importantly,
- there are good Indian dramas that don't feature song-and-dance.
Song-and-dance in this context also represents any other trademark most people associate with Indian films (or Bollywood), like over-acting, strange side plots, strange side characters, extravagance and a long runtime. This month, I have seen a comparatively big amount of Indian drama of different quality, style and purpose- films that had been hovering on my DVD shelf for too long. My big fat apologies to the cool friend who borrowed me these and a few other films last summer, it has taken me far too long to watch them. All of these films had caught my interest either recently or a very long time ago and are on the 1001 Indian films you have to see before you die list that I've been secretly putting together for about two years. No, it's not done yet. Each of the films proved to be worth the watch, some more than others, but most of all it has been delightful to delve back into the rich and different world of Indian cinema for so long at a time. Here's what I take away from this adventure in a serious land.



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