Showing posts with label 1950s. Show all posts
Showing posts with label 1950s. Show all posts

Thursday, May 22, 2014

Blind Spot Fixed: Rear Window



With the recent release of Grace of Monaco (2014), there has been more talk than usually of the immortal ghost of the fabulous Grace Kelly. I knew about Grace before I ventured into the art of film for my leisure time, since my favorite topic used to be fashion once. She's your go-to choice for random photo collages that are supposed to express 'glamour', 'timelessness' or simply 'the 50s'. Much like Marilyn Monroe, she's a confusing persona and most people would find it hard to determine what kind of celebrity she was. Apparently, she started a promising career in acting before venturing into princesshood by marrying the Prince of Monaco. When you type her name into the IMDB, it says 'Actress, Rear Window (1954)' in a smaller font below an attempt to capture her breathtaking beauty - it was shortly before she met the prince that my blindspot for this month, which is the film she is best known for, was filmed.

Despite James Stewart's charm, Grace Kelly is the dominating star in this light-hearted murder mystery: She plays Lisa, a New York socialite who is in an on-off, love-hate relationship with adventurous photographer Jeff (Stewart). Due to an accident, Jeff is bound to a wheelchair for a few weeks in the hottest time of summer, a time he fills by regarding the goings-on in the backyard of his apartment complex. Most of the evenings, Lisa goes to visit Jeff and tries to talk him into considering a more serious relationship with her. When Jeff thinks he has overseen dangerous happenings from his rear window, Lisa tries to help him figure out the mystery.

Saturday, July 13, 2013

Dynamic Duos Blogathon: Charlie Chaplin and Claire Bloom in LIMELIGHT


Originally, I wrote a longer, more insightful post on the relationship between Calvero (Charlie Chaplin) and Terry (Claire Bloom) in Limelight but now at 2AM I find out that it's somehow been deleted by blogger. Well, (sh)it happens.

Briefly, what I had written was how Limelight is my favorite Charlie Chaplin movie because it's so beautiful and thoughtful and amazing, and that I love the various facets of the relationship between the descended star and the ascending star. If, for whatever reason, you haven't seen the movie yet, do so soon. Here's a little sneak peak:



Tuesday, August 14, 2012

That's How You Do Tragedy

Pyaasa - प्यासा
 "Thirsty"


Directed by Guru Dutt
Written by Abrar Alvi
★ Guru Dutt, Waheeda Rehman, Mala Sinha

        


Sight & Sound, Time Magazine, Indiatimes and the critics and audience of yesterday and today - Pyaasa enchants everyone. It has been one of my top must-see-films, ranking as high as The Godfather, Fight Club and Kill Bill did in their respective times. So I put myself together and figured that my goal of seeing more (especially Indian) classics fit the fact that youtube has become a great source to watch these for free. (Link for this movie).

What can I say; of course Pyaasa is as fantastic as everyone says. It's the tragic story of the poet Vijay who is first neglected by his family, love and the publishers, and finds his only friends in the prostitute Gulab who adores his poems, and a poor massager. But the tragedy doesn't end here, for of course Vijay and his first love who is now married, meet again, and Vijay detects that there is more cruelty in the world than he would have ever imagined.

Saturday, July 14, 2012

Cousteau Mini Blogathon: Le monde du silence


YEAR: 1956; DIRECTORS: Jacques-Yves Cousteau, Louis Malle; WRITER: Jacques-Yves Cousteau

Having read and heard much about Cousteau, I actually don't know a bit about him. The Cousteau Mini Blogathon, consisting of three famous documentaries by or with the famous scientist and filmmaker, is supposed to change this. 

In case you know even less than I do, here's a brief summarization of what I know: Cousteau invented a lot of cool stuff for ocean science and discovered many new animals and plants. Furthermore, he was just you know, cool like that, and he hated sharks. He also wrote tons of books. Oh, and his ship was called the Calypso.
Moving on to my first Cousteau film, which won the Academy Award for Best Documentary Feature and the Palme D'Or, the only documentary to achieve this aside from Fahrenheit 9/11.
If I were to sum up my viewing experience in three words, I'd say: „boring... disgusting... fascinating“.

BOREDOM
I have often been slightly ashamed when I was bored by an acclaimed film, especially if it was very calm and nothing much happened. Keyword silent film. However, I decided to think differently from now on, because trying to not be bored by a film I was bored by, would be just like trying to be bored by a film I was entertained by - and I would never do that. 
The Silent World wasn't about suspense or science, it was about something entirely else, which I will talk about in the last paragraph. So, obviously, I found it boring. Although I'm interested in oceanography and similar. A man diving through an abandoned shipwreck for 10 minutes is boring, though fascinating as well. But we'll get to that.
And before I forget it: many scenes on board seemed like the scientists were acting. Badly. 

DISGUST
It's not like I'm one of those extremist biological and ecological food maniacs, but I do care about the environment and the way we treat other life-forms. So watching some so-called scientists massacre sharks just because they want to eat a whale cadaver isn't exactly what I find entertaining, nor even acceptable. Same goes for the same "scientists" placing dynamite in a coral reef in order to "study" the animals in it. However, wikipedia tells me that these two points were criticized by many people and that Cousteau changed his mind later on and became very much environmentally active. Thank God.

FASCINATION
The thing The Silent World became most known for was its revolutionary and extremely fascinating underwater shots and cinematography, and I completely understand that. Even today, being spoiled by documentaries like Blue Planet and what else their called, much of the material is capturing and soothes the mind (except when sharks are around). There was even one thing I don't remember having seen before: corals deep under the surface, like 60-75 meters, were illuminated, and you could see the bright colours that became even brighter the deeper you went. 
I can only imagine what it must have been like to see this in the mid-fifties. 

The final word
Despite its many flaws, The Silent World remains a must-watch for people interested in documentary and oceanography, and I don't regret having seen it. However, there are better films of the like.




Saturday, November 12, 2011

Timeless: Feed the Kitty (1952)

Watch "Feed the Kitty"
While the feature film still is the padrino of cinema, Warner Bros, Disney and countless independent directors have more than one time proved that there's not much you need to make an ingenious film with everything in it. Like FEED THE KITTY. With a duration of 7 minutes and 23 seconds, this film outlines some of manhoods most discussed and thought-about issues and eternal questions. 

Saturday, September 10, 2011

The oldest Indian film I've seen

MOTHER INDIA (1957)


Epic/ Melodrama
Directed by Mehboob Khan – Written by Wahajad Mirza, S. Ali Raza, Mehboob Khan
Starring Nargis, Sunil Dutt, Rajendra Kumar, Raaj Kumar

The 54-year old classic has been overdue on my watchlist for a long time, so yesterday I finally pluck up courage and flung my DVD into the player. After all, it's the first Indian film to be nominated for an Academy Award (it was also India's first submission ever). Plus, it's one of the two single Indian films included in the famous "1001 Movies You Must See Before You Die"-book.
Realizing I'm not used to these overlong Melodramas anymore, I took a break at the Interval, finishing the whole thing this noon. Fun fact: the film is actually shorter than K3G, MOHABBATEIN and many tomes from the turn of the millennium.