The Gold Rush | The ALASKAthon

The Gold Rush is the last new-to-me film in the ALASKAthon, which means that my gap year is coming closer. This, I hope, is a good enough excuse for this review being somewhat rushed. There really aren't enough hours in the day, especially when in some of them, you get to see your friends for the last time in a year.

It might interest you that my aversion towards silent films has lessened quite a bit during the last year. From vehemently stating that "I hate silent films" to finding them okay to actually finding myself enjoy them once in a while, I have undergone what some call "a snobformation". Jokes aside, Chaplin delivers another heart-felt and fun comedy on a serious enough topic in this film. He once more shows off his physical skills and talent for physical comedy, while the story - of course - isn't complicated at all. The sets are amazing and the pieces that were actually filmed in real snow are rather impressive too. Sadly, Chaplin outshines most of the other actors, and the girl in particular doesn't get a very important or rememberable role. His "cabin friend" makes for a funny side character though, and he and Chaplin play off each other very well.

I'm happy I watched The Gold Rush, since it makes for an interesting change in the many recent films I watched for this blogathon. It seems that Alaska was never very popular among filmmakers but Chaplin saw its charm already in the dawn of the days of filmmaking. Again, I'm sorry if this review seems rambly and short. There was no other way.

SPECIAL ALASKATHON MOVIE BREAKDOWN

How capturing/ engaging/ interesting is the film? (out of 5 northern lights)

How gorgeous does the film - or the Alaska in it - look? (out of 5x Timothy Treadwell's hair)

How much does the film itself make you want to go to Alaska? (out of 5 sledges)

THE GOLD RUSH

1925 • USA • English

director Charles Chaplin

author Charles Chaplin

★ Charles Chaplin, Mack Swain, Tom Murray

Blind Spot Fixed: Apocalypse Now

Choosing 12 films out of the hundreds of 'must-sees', 'masterpieces' and 'classics' that waited like blank sheets of paper for me to put my stamp of opinion on was a difficult task in itself. The fortunate person I am, the first film I chose proved even more difficulties. The main one: there exist two versions of it, the shorter one being 'only' 153 minutes long. Still, the 200+ minutes 'Redux' (what does that word even mean) cut might be much better than the original one, think of Blade Runner. Luckily, my helpful blogathon host Ryan McNeil immediately responded with the wise recommendation of the shorter cut - apart from the expected 'You're in for a treat', which he knew because everyone except me has seen these films already. In I went then, used to the 90-110 minute features I have stuffed myself with this whole past month. And you know, I've come to realize that watching movies is quite similar to doing sports - you've got to alternate. Now I do ballet, so 'Don't just do the allegro and ignore the adagio' would be my personal interpretation of the lesson that the Apocalypse Now experience taught me. I guess it translates to 'Don't forget to build up your muscles when training for a marathon'. 

Apocalypse Now is not just a long film - it's  a long war film. Happy times. War films need to be long, seems to be the general consensus. I don't think so, actually, I think war films can work perfectly fine with a running time below 2h. But indeed, Apocalypse Now is a movie that needs room to unfold itself in order to build up its eerie and disturbing atmosphere. Surprisingly, the plot isn't that important - nor are its holes. Basically, it's about great actors delivering great performances in an impossible environment, framed in the most fascinating way you can imagine (Oscar nod: deserved). If you really *have* to have a synopsis though; half-crazy Captain Willard (Michael Charlie Martin Sheen) is sent on a secret mission to exterminate Colonel Kurtz's (Marlon Brando) insane reign over a group of insane people near the Cambodian-Vietnamese border. The film currently ranks #1 at the website moviemistakes.com and deservedly so. You can't expect anything else from a cut-down from more than 200h worth of filmed material, filmed in 16 months though. Famous production history? I didn't know S about this film's production history. However, it was one of the most interesting things I read since researching Blade Runner.

Leaving Hogwarts and the Sorcerer's Stone

HARRY POTTER AND THE SORCERER'S/ PHILOSOPHER'S STONE
book 1997 movie 2001 first read in 2003? first seen in 2003? 

Sometimes, the most unlikely things turn out to take the most important places in your life, don't they? 
Today, Harry Potter is a synonym for childhood to me - but for a long part of same childhood, it was just 'That boring-looking boys' movie'. It took someone's unsuspecting goodwill to get the book anywhere near me and an intense feeling of boredom for me to wipe the dust off its cover one or two years later. The rest is history. 

When other people turn up James Brown's "I Feel Good", I'll be listening to "Hedwig's Theme". Instead of the Tower Bridge, the highlight of my sightseeing tour in London was Platform 9 3/4. My visit of the Harry Potter Studio Tour in the UK will make out a whole chapter in my self-biography. Basically, I think this is all some kind of mistake and my invitation letter for Hogwarts got lost in the mail. This is why an afresh revisitation of the series seemed like the perfect way to both celebrate and grieve for my leaving/ finishing high school. So the next 8 months, right until my graduation prom in July, I'm going to take a look back at the 7 books and 8 films that make out such a huge part of my girlhood. The title of the series, obviously borrowed from my favourite theme from the soundtrack(s), is not supposed to symbolize any sort of abandon or moving-on from the Harry Potter universe. On the contrary, it signifies the parallels between the world of Harry, Ron and Hermione and my own life. As I'm on my way to end a very important chapter of my life, I once more look to them for inspiration.

Unglamorous Indie Rock 'n' Roll of 2012: Wild Girl Waltz and Gut

It's been a while since my last proper review and I thought I'd use the occasion to write about two films that I've been meaning to write about for a while. They've both been sent to me by two different indie film makers, who funnily asked me to review them almost the same time. That was one of the first times I felt that blogging actually has some material advantages, something you can touch. Like a free DVD. That's pretty cool for a poor student.

Wild Girl Waltz

Written and directed by MARK LEWIS

www.wildgirlwaltz.com

    

WILD GIRL WALTZ is a light-hearted comedy set in the middle of nowhere, centering around three friends who have an exceptionally messy time together. It also strikes some more profound notes in the middle of all the madness and despite some technical "flaws" I thoroughly enjoyed this movie.

3 Questions about LIFE OF PI

Enviable viewers in Paris

Many people have been looking forward to Life of Pi in 2012, and there were several reasons for them to do so. It's the filmatization of a famous novel that was called "unfilmable" (as was the case with A Clockwork Orange and many others), it marked the return of one of the most acclaimed contemporary film-makers, Ang Lee, whose last success of Brokeback Mountain happened 7 years ago (although I did like Taking Woodstock). And, not to forget, it seemed to fit into one of the most popular genres of the time - that philosophic, "deep" one - while promising to revive a technology-gimmick that has been discussed much lately. 

My primary reason to be excited about Life of Pi was none of these though; it was the Indian factor. Indian background, Indian actors and, as I hoped, Indian soul. All of this despite the fact that Irrfan Khan was again typecast - he's a magnificent actor (although he's offered much more challenging roles in India than in Hollywood), but I'd also like to see someone else for a change. 

Anyhow; I can't say I was disappointed by Life of Pi. After all, what I was hoping for was what I got. Still, I've been asking myself some questions after having watched the film, and this is where I'd like to try and answer them as well as I can.

Praise The Hobbit

USA/ New Zealand, 2012

The Hobbit: An Unexpected Journey

Directed by Peter Jackson

Written by Fran Walsh, Philippa Boyens, Peter Jackson, Guillermo del Toro

★ Too many great people to choose three of them

                

What has not been said about The Hobbit yet, I wonder? 

With all the praise (along with a tiny dash of criticism) wandering around the media and blogosphere, is there at all any way to defend your action of writing a review on this movie? Shouldn't we highlight lesser known arthaus gems that could change the world?

The Cate Blanchett Essentials, #5 / 5

Read more about The Cate Blanchett Essentials

Robin Hood (2010) Ridley Scott

IMDB: 6.7 - RT: 43% / 59%

Why I selected this film as one of the Cate Blanchett Essentials

„A friend of mine told me she found this movie fantastic, and even though our tastes differ at times, I think I'm actually going to like this one. I mean, it's Robin Hood! With Cate!“

The story

Good question. It's something about Robin Hood, who pretends to be the returned husband of Marion (Cate) so that she can stay in her father-in-laws house after his death. He also "confronts corruption" in the village and somehow "alters the balance of the world power", according to IMDB. The story was hard to get. 

The message

Surrender to anarchism!

The character

Marion is a typical Cate Blanchett character: "trapped" in a time when women didn't have many rights, she is loud and stubborn and knows what she wants. As she lost her husband to war one week after their marriage, there is also a vulnerable side to her which is longing for the love (from a man) she never got. 

Otherwise she is very self-confident and likes to do things her own way. 

Sadly, there's not much focus on her character so I can't think of much else to say about it.

The performance

This is closely connected with the character, so although Cate gives it a 100% and is convincing as always in her scenes, I had the feeling that she should have had more screen time. Russel Crowe is great too, no doubt, but I didn't find his Robin Hood a very interesting character. 

Marion on the other hand, offered much potential and had many layers. Of course this must have been easy for Cate, these kind of roles are just her thing.

The most impressive scene

When Robin goes to his friends house to tell the news of his death, and tells Marion first without knowing that it was her husband. Cate's reaction is very realistic, she is trying to seem calm and strong, but the shock is hard to hide.

It's a very short scene, but I was very impressed.

The blemish

The film was long-drawn and the story wasn't very interesting. It was either so boring that I didn't pay enough attention to understand the story, or the story was so un-understandable that the film became boring.

Does the film deserve to be called one of the Cate Blanchett Essentials?

No, I don't think so. I'm sure she has been in films that are more deserving of this honour, so I'm a little disappointed I chose this one instead of many others.

FINAL FRAME

Dystopian City Lights

USA, 2008

City of Ember

Directed by Gil Kenan

Written by Caroline Thompson

★ Saoirse Ronan, Toby Jones, Bill Murray

            

What is it we movie buffs are searching for? I often thought it was the perfect film. But City of Ember makes me think differently. Maybe it's the perfect viewing experience we're searching for instead. The right film at the right time. And in contrary to the perfect film, it is possible to find the perfect viewing experience.

I wanted something new, fantasy-esque, that's easy to get into and understand, but still challenging enough for my mind. Something with good, young actors and beautiful cinematography. And art direction, an interesting art direction with many small details and other perks. A mixture of Harry Potter and The Hunger Games. Kind of. And guess what? I got this!

This Is Our Kingdom

USA, 2012

Moonrise Kingdom

Directed by Wes Anderson

Written by Wes Anderson and Roman Coppola

★ Jared Gilman, Kara Hayward

         

Watching Moonrise Kingdom was an informative event for me. I learned several important things, starting with my realizing that Wes Anderson is one of the greatest filmmakers I know (judging from this film), to realizing that I still wish I'd have lived in the 60s, to finally and definitely realizing that when there's a hype in the blogosphere, there's a reason for it.