Writing Elsewhere - Divergent: 5 Options For This Future Franchise

In the future, I will assemble posts that I've written for other websites under the tag 'Writing Elsewhere'. As you may know, I was selected as a writer for The Artifice about a year ago, but after I had written my Love Actually Review, I never got around to writing more for the site. I'd like to change that and at least write one post per month there. The content will be a little bit different from my usual blogging content, since there are stricter guidelines for tone and quality on The Artifice, so that's exciting for me. 

The first post I wrote is a post about the upcoming Divergent Franchise - I compare it to 6 other big YA franchises of the last few years and try to decide how the turnout for this one will be. I hope you'll enjoy reading it!

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My Heroes: Ellen "Get-away-from-her-you-bitch" Ripley

A Bechdel test rating for movies has just been approved by the Swedish government, I finally have the chance the catch a screening of the hyped sci-fi epos Gravity tonight and Halloween is just around the corner - what better to write about these days than one of the coolest female characters that has ever kicked cinematic asses, first appearing in 1979s groundbreaking sci-fi/ horror flick Alien?

Watching The Star Wars Trilogy - For the First Time in My Life

Yes, it's me. The only person who hadn't seen Star Wars... until a few days ago! I have had the trilogy in the back of my head for years, but simply couldn't get over my idea of sci-fi not being "my piece of cake". In fact, I had been very fascinated by Kubrick's 2001: A Space Odyssey and Jules Verne's Journey to the Centre of the Earth, so I don't know why the hell I couldn't accept that sci-fi was indeed one of the thickest layers in my piece of cake. But prejudice isn't easy to overcome, and I had to wait for the right kind of Doctor to arrive until I finally got it.

Dystopian City Lights

USA, 2008

City of Ember

Directed by Gil Kenan

Written by Caroline Thompson

★ Saoirse Ronan, Toby Jones, Bill Murray

            

What is it we movie buffs are searching for? I often thought it was the perfect film. But City of Ember makes me think differently. Maybe it's the perfect viewing experience we're searching for instead. The right film at the right time. And in contrary to the perfect film, it is possible to find the perfect viewing experience.

I wanted something new, fantasy-esque, that's easy to get into and understand, but still challenging enough for my mind. Something with good, young actors and beautiful cinematography. And art direction, an interesting art direction with many small details and other perks. A mixture of Harry Potter and The Hunger Games. Kind of. And guess what? I got this!

The Good, The Weird, The Awesome - Triple Mini-Review

ACTION REPLAYY - EK CHALIS KI LAST LOCAL - ANARI

That I would end up writing about these three films in particular, in one single post, was nothing I had had in mind when watching them. They were just coincidental views, films that I bought because I was curious and had heard about them. It's funny that Ek Chalis Ki Last Local was the only one I had been wanting to buy for a long time, the only one I watched even though it wasn't the first one of my new films, alphabetically - and the only one I ended up not liking, plus being disappointed by.

Anari and Ek Chalis Ki Last Local have currently received the exact same rating at the IMDB: 7.3/10. Both are Parallel Indian Cinema, Anari was a Superhit with superstars, directed by disinguished Hrishikesh Mukherjee - Ek Chalis Ki Last Local was a Flop with "normal" actors and directed by debuting director Sanjay M. Khaduri. Now, Action Replayy is something in between, starring two big Indian stars, but receiving a Below Average rating from the box-office, a 3.9/10 rating at IMDB and being directed by a unsuccessful but commonly known director (Vipul A. Shah). 

Differently from my other mini-reviews, I won't divide this one into the different films, but into categories and compare the films this way.

Who's who?

Just to clear this at the very beginning - without revealing my deepest thoughts, which I will do at the end only; 

The Good: Action Replayy (2010)

The Weird: Ek Chalis Ki Last Local (2007)

The Awesome: Anari (1959)

Story

Many people pointed out, that the main idea of Action Replayy seemed to be stolen from all-time-classic Back to the Future, which in some ways is true, but the story actually is very different. Still, this does not make it more original; I haven't heard or read anyone mentioning this before, but the plot is very similar to 2007 German tv-production Küss mich, Genosse! (IMDB). I don't appreciate story stealing at all, so in this category, AR does worst. One of the problems about Ek Chalis Ki Last Local is, that there doesn't seem to be any story at all. A guy misses his train at night, has to spend two hours in a village and meets a girl. Boring, and hard to make a good screenplay of (which I also don't think they did). 

The sad-funny story of a poor young gold-hearted man, who doesn't seem to have much luck by his side is typically Raj-Kapoor and 50's Indian cinema - so it's not hard to decide, who wins in this section.

Screenplay

As already said, ECKLL's screenplay doesn't count to the best ones made. The love story is minimally interesting, but all other plot lines didn't catch my attention at all, which is also why I turned off the DVD player after almost 2 hours. Off course, I could have stayed through the last 30 minutes, but I really couldn't stand it any longer. 

AR takes us on a bubbly, coulourful 70s-trip and manages to never let boringness slip through any giant screenplay-holes. How nice.

Everything in Anari can be classified as either interesting, amusing, or entertaining - in one word: as Raj Kapoor. Therefore, as in every other category, Anari wins.

Cast

You (and I) already know that no one can beat Raj Kapoor, but as I'm not the most versed person concerning actors from the 50s, I'll tell you what I thought about my first meeting with Nutan. I was very pleased by her performance, her wittiness and beauty, which reminded me strongly of Kate Winslet. Along with Raj Kapoor and Lalita Pawar, she is the person that makes Anari shine. -- If you've been following this year's Deol Dhamakka, you've most certainly read my (only) contribution to that event (if not, read it here). In that post, among other things, I tried to express my love to Abhay Deol, which thankfully is still untouched after watching this film. He was lovely as ever in ECKLL - thank god. An item song in Heyy Babyy was all that I'd seen of Neha Dhupia until ECKLL (and Action Replayy, for that matter), but she does look promising, even though I think there's much more she can, than what I've seen yet. 

Aishwarya Rai, I don't think you're the Queen of Bollywood, like Western media often tries to call you, but nevertheless what you are is: definitely already one of the finest actresses of this decade, one of the best dancers after Madhubala and Madhuri Dixit, and one of the most beautiful women I've seen. Akshay Kumar is... well, I think he's one of the most sympathetic actors I know, and also he can make the worst movies and still not loose me as his fan. He can also look incredibly ugly in films, and incredibly 70s-fashion-victimy - never will my affection for him die.

I think we can agree that all of these films could mention some worthy names in their credits, and that all of them did a good job.

Music

One of the reasons, and also the most important one, that I wanted to watch ECKLL, was not Abhay Deol, funnily. Around the releasing time in 2007, I had one of those periods where I listen to all of the latest Bollywood soundtracks, and immediately fell in love with this one - three years before I even watched my first Abhay-film. Laree Choote features a wonderful singer and is very intense, Ekka Chauka is funny and fast, Akh Ladiye is a great example for a disco-background/underground-track - shortly: I love the soundtrack.

Also Anari  was discovered by me through its music, namely when I listened to some of the songs that won a Filmfare Award for Best Singer. The song I'm talking about ("Sab Kuchh Seekha Humne") really is one of the best ones I know, combining satirical lyrics with the awesome singing talent of Mukesh and an interesting melody. But also the other tracks are fabulous and will stay on my mind (and iPod).

Though I listened to the music of AR before, I only really liked it in the film. The best tracks are Zor Ka Chhatka and Nakhre, while Baaki Main Phool Gayi can only be described with 9 letters: h-i-l-a-r-i-o-u-s, believe me. However, this soundtrack is the weakest, compared to the other two.

Title

Ek Chalis Ki Last Local = The Local Train That Went at 1:40.

Unusual title, but in the end just as totally meaningless as the film itself.

Action Replayy = Action Replay 

Fits the story, but the second "y" is just as annoying as stolen from Heyy Babyy (2007).

Anari = Idiot/ simpleton

Brilliant title, brilliantly used in the film.

Camera (Cinematography)

After all those camera-experimental films, filled with 1-second-shots, dizzy-making rotations and shaky hand cameras, a 1959 classic black-white motion picture can feel like a supreme vacation (inlcuding virgin pina colada). Long, clear-shot scenes, no distracting eastman colour, grainy quality... I am sighing with relief. One may notice, that ECKLL is also shot in a rather quiet and non-distracting way, but a little more bang-bang would have been nice due to the boring screenplay. I'd like to mention the kiss scene though, which was not only well-performed but also beautifully captured.

The poster of Action Replayy already says that the film is shot "IN EASTMAN COLOUR", and that's also what you NOTICE when looking at the poster. 70s slam-tam-bamboo-banga eastman colour, that's what this film is made of. Sometimes the camera setting is very mainstream-music-video like, for example in the song Zor Ka Jhatka, but otherwise very fitting and a good contrary to category-winner Anari.

In a nutshell... (Lucky-Nut)

Action Replayy: 

I expected a long-drawn, exaggerating, very below average film with some good songs.

I saw a never-boring, exaggerating, very entertaining personal-hit (with some good songs).

Ek Chalis Ki Last Local:

I expected a satirical, unusual, surprising film with a cute Abhay and a great soundtrack.

I saw a boring, art-housy-bad, uninteresting and weird film with a cute Abhay and a great soundtrack.

Anari:

I expected a Raj-Kapoor-film.

I saw a Raj-Kapoor-film.

---------------------------------------------------------

Let's end this post with a little smile:

"Marriage, now? We've only just sung a duet song!"

(Akshay Kumar in Action Replayy)

Bipasha and a lot of Nonsense ("Aa Dekhen Zara" Review)

I'm beginning to like the concept of writing a funpost and then a review and then always shifting between the two kinds - one of them takes advance of the more chaotic side of me, and afterwards I can focus on one single film, and what's most important: Write a lot about it.
I've written this review quite a long time ago, but I don't want to keep it back from you for that reason.  Most of all, many critics or review authors had a quite different opinion than mine on this film, and that's also why I'd like to share my own thoughts about it. And if there's something seeming awkward to you, let me tell you that this review was written at approximately 1AM...


AA DEKHEN ZARA (2009)

Title-Translation: "We will see" or "Come Let's See"

Director: Jehangir Surti

Autors: Sheershak Anand, Shantanu Ray Chhibber

Producer: Viki Rajani

Starring: Bipasha Basu, Neil Nitin Mukesh

Plot: Ray inherits a camera that shows the future of the thing that you take a picture of. At the beginning, Ray uses the camera to gain money and becomes a real bastard, but he's also in love with a girl, Simi, who wants him to be like he was before.

And there are, off course, other people wanting the camera for their own.

Written the 8th of August 2010
There are many things about "Aa Dekhen Zara" that really annoyed me. For example, let's take the rapid and numerous camera shifts, sometimes even shimmed by camera flashes - what's meant to be entertaining, rather alienates the audience. In addition, it's a little hard getting into the film at the beginning, because the leading man, Ray, is never really introduced. Truth be hold, we don't get to know much at all about him in the film.
I'm also not yet convinced by the actor, Neil Nitin Mukesh. He doesn't act horribly, but he truly could have done much more, and sometimes seems pretty cold and artificial. Bipasha Basu is, opposite to him, very good - I learn to appreciate this woman more and more! Also her role is sketched comparatively cursorily, but still, she manages to give it a minimum amount of deepness. By doing that, she also saves her male counterpart. There's no huge silver screen chemistry between the two of them, but they harmonize well, and some scenes are even somewhat sweet. By the way, the name of a sandwich in the film is also very sweet (don't remember it, though).

As I said: gratuitous

In other respects, I don't have much positive to say about the first half. Once more, Bipasha is forced to jump into a tiny disco outfit and sing & dance - the necessity of this is supported by her being a singer. Sounds like "Bachna Ae Haseeno" to me, no? However, the whole "scene" is gratuitous, the whole thing (Ray and Simi getting to know each other) could have been done differently. Ray's metamorphosis is also something that seemed very illogical to me - do you become an idiot just by becoming rich? This metamorphosis is also highlighted musically by a very high-class song, whose lyrics mostly consists of "Paisa" (= money), and which is indeed heard by Ray on full volume-up in his very expensive car. Yes, it is possible to exaggerate. Talking about the music: I don't like at all. Not in the film - and don't dare to think that I will listen to this in my leisure time. I do give some plus points for the background music, though. Well, not the score, but the music on the radio and in the shops - simple Hindi pop music, which adds a little authenticity to the whole scenario. Ray and Simi watching "Omkara" on DVD is also a tiny little bit amusing.
After a fair first half, the second one is actually a little exciting. We follow the leading actors on the escape through Thailand, and somehow are on the edges of our seats (well, I was, at least a little bit). We also meet a very botoxed female police officer - but I'm clueless about Indian civil servants, maybe they all look like that... And Bipasha may perform another absurd, unnecessary dance sequence. But that's half as bad as the first one, as it's much shorter. The end is also quite good (though, obviously, they were "inspired" by "Dhoom:2").

So in a nutshell, I don't seem find this movie as bad, as I ought to find it. For everyone just descrying their love for Bipasha, it is worth-a-watch. Certainly though, "Aa Dekhen Zara" doesn't reach the level of the real 2009 goodies.

Rating: 3.9

Thank you for reading,

Mette M. K.